Costume design by Clarence Wilson. Except he substituted one of his favorite instruments, the bassoon, for the more authentic saxophone. Reinhart sponsored and largely underwrote the premiere. C'est défendu. The Soldier's Tale is scored for just seven instruments: clarinet, bassoon, cornet, trombone, violin, double bass and percussion. Listen to Stravinsky: Soldier's Tale Suite (excerpts) by Absolute Ensemble & Kristjan Järvi on Apple Music. Performed at the Butler ArtsFest. The Ballet Russe, his main source of commissions, had its headquarters in Paris. The music is rife with changing time signatures. Musicians, actors, and stage hands all came down with it. Igor Fyodorovich Stravinsky ComSE (/ s t r ə ˈ v ɪ n s k i /; Russian: Игорь Фёдорович Стравинский, IPA: [ˈiɡərʲ ˈfʲɵdərəvʲɪtɕ strɐˈvʲinskʲɪj]; 17 June [O.S. "Tonal Ambiguities as a Constructive Force in the Language of Stravinsky". He took Stravinsky to task for setting words that had so little to do with the carnage taking place all around him. Finally, he arrives at his fiancée's house only to see her with her husband and children. Bridgehampton Chamber Music Festival Musicians, Roger Waters (narrator) A ce qu'on a ce qu'on avait, Stravinsky could no longer easily go there. The plan works: the devil falls, and Joseph is free. The Soldier’s Tale is a sardonic delight and one of Stravinsky’s most popular pieces, but it is most often heard as a concert suite rather than as originally conceived: a hybrid of action, spoken word and music. If all had gone according to plan, subsequent performances would have taken place in Geneva as well as various Swiss villages. He composed 11 musical numbers: Stravinsky had recently bought some jazz sheet music. The devil hands Joseph the violin, but he can no longer play: the violin makes no sound. A dancer plays the non-speaking role of the princess, and there may also be additional ensemble dancers. For that purpose, the piece utterly failed. Joseph turns over some cards and gets an air of confidence when they are all hearts. Marti, Christoph. ("Petite airs au bord du ruisseau (reprise)") He realizes the poor have nothing in terms of material wealth, yet they have it all when it comes to happiness. K029 I-Catalogue Number I-Cat. The devil arrives, and for the first time he is not disguised. )[clarification needed Mozart's "Der Schauspieldirektor"? If you're expecting 'classic' Pink Floyd or 'typical' Roger Waters solo music you'll be disappointed, but if you like S.F Sorrow or Betjeman's Banana Blush by Jim Parker you may find the album an interesting variant on an audiobook. Finally, he finds what he was searching for: his fiddle. For accompaniment he chose seven instruments: violin, double bass, clarinet, bassoon, cornet, trombone, and percussion. His landlord, the young Swiss conductor Ernest Ansermet, introduced him to Swiss author Charles-Ferdinand Ramuz. With the knowledge he gained from the book, he quickly amassed great wealth. As usual, you'll get an email with the link and an extra reminder on Friday. The princess is miraculously resurrected by the music, and begins to dance. Narrated version: Montreal Festivals, 1949. Joseph leaves his home with nothing. For this reason, it is commonly performed with a conductor, though some ensembles have elected to perform the piece without one. Later, the soldier decides to … Then he marries a princess and prepares to live happily ever after. The music is scored for a septet of violin, double bass, clarinet, bassoon, cornet (often played on trumpet), trombone, and percussion, and the story is told by three actors: the soldier, the devil, and a narrator, who also takes on the roles of minor characters. Performances later in the year in Berlin and Frankfurt were more successful. Based on a Russian folk tale, Stravinsky’s The Soldier’s Tale weaves music, dance and the written word to enthrall the viewer. Ramuz crafted literary French texts from them. Full staging, 1926, Newcastle upon Tyne, conducted by Edward Clark. The final piece is "Marche triomphale du diable"/"The triumphal march of the devil" and features violin and percussion entwined in a rhythmic duel with the final measures played solely by the percussionist. L’histoire du soldat concert suite (1919), for clarinet, violin, and piano / Joseph Way, Sierra Chamber Society Program Notes Conceived by Igor Stravinsky and Swiss writer C. F. Ramuz, the piece was based on a Russian folk tale drawn from the collection of Alexander Afanasyev called The Runaway Soldier and the Devil.[1]. He gave Ramuz a Russian story about a soldier who makes a trade with the devil: his fiddle for a magic book. 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